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Youth media is a diverse array of practices in which young people collaborate with artists and educators to express themselves creatively, communicate with peers across borders, and participate in community dialogue and problem solving. Social...
Last Updated: September 4, 2013
In towns all across the United States, young people are using music and art to make interesting, creative, and positive things happen in their communities. They are punks, rappers, educators, singer-songwriters, artists, and community organizers who...
Last Updated: September 4, 2013
In his essay, Erik Takeshita, Program Officer for the Local Initiatives Support Corporation (LISC) in the Twin Cities, explores the experience of MicroFest: New Orleans and observes that art requires four characteristics to have a positive,...
Last Updated: September 4, 2013
Mark Kidd’s own cross-sector work in arts and regional development lends valuable socio-economic and environmental context to MicroFest: Appalachia’s many rich examples and experiences.  In his essay, Kidd contrasts a current national creative...
Last Updated: September 4, 2013
This is the second of two essays by Gerard Stropnicky, director, writer, actor, and co-founder of the Network of Ensemble Theaters (NET) that reflect on NET’s MicroFest: USA. In this essay, Stropnicky looks at the work of socially engaged ensemble...
Last Updated: September 4, 2013
This is the first of two essays by Gerard Stropnicky, director, writer, actor, and co-founder of the Network of Ensemble Theaters (NET). Stropnicky provides a through-line across all three MicroFests, taking a focused look at the role of theater and...
Last Updated: September 4, 2013
Caron Atlas' essay on MicroFest: Appalachia focuses on the connections between civic capacity, imagination, and moral economy in Appalachia.
Last Updated: September 4, 2013
As a Detroiter and a journalist who has covered the city’s urban as well as cultural affairs, Eddie B. Allen, Jr. brings a gentle local eye to surface questions that deserve a hard look as MicroFest traverses its next locations. Allen zeroes in on...
Last Updated: September 4, 2013
As artist, cultural worker, and organizer, Michael Premo offers a prismatic lens through which Detroit appears as an “incubator of possibility,” a place where an affirmative path forward is being forged by creativity.  He reflects on the exemplary...
Last Updated: September 4, 2013
As both a scholar of community-based theater and past ensemble company member, Jan Cohen-Cruz lends perspective on an array of experiences of place-based theater, culture, and art at MicroFest: Honolulu. Being in Hawai`i, where the Native language...
Last Updated: September 5, 2013
In the context of chronic issues such as poverty and prisons and in the aftermath of the “Katrina-related federal flood,” Carol Bebelle attributes New Orleans’ distinctive creative impulse as essential to the city’s recovery and resurrection....
Last Updated: September 5, 2013
Largely led by community artists and arts organizations with long-standing commitments to applied arts practice with diverse marginalized populations, arts in corrections assume varied forms and intentions. Arts programs provide expressive and...
Last Updated: September 11, 2013
Sonny Ganaden—printmaker, lawyer, writer, and resident of Honolulu—weaves history and issues of contemporary Hawai`i to offer context for MicroFest: Honolulu’s look at the role art and artists play in creating and sustaining healthy communities....
Last Updated: September 16, 2013
This piece sheds light on the philanthropic sector’s efforts to improve measurement and evaluation (M&E), specifically within the context of foundations involved in social change work. The broad observations of the six contributing authors are...
Last Updated: September 25, 2013
Storytelling and Social Change Guide is a compilation of over 75 interviews with grantmakers, communication specialists and storytellers to show the various ways that grantmakers can successfully execute their vision in “narrative strategies.”...
Last Updated: October 8, 2013

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